When Dana or Kate are close to a hotspot, an icon appears on it indicating the possibility of carrying out actions, be it simply observing, collecting, using an object. The game system itself is very simple to describe We already know it is Dana and we play as her, so seeing how these two plot lines collide truly has me anxious to see where the story goes. That is the big part of Syberia’s story that has me so interested. This puts Kate on a mission to find the origin of this painting, who painted it, and who the mysterious girl actually is. Thanks to her friend Katyusha, they come across an abandoned train finding a painting of our other playable character Dana and coincidentally enough, they look the same. Her story began as a prisoner in a salt mine, where she quickly learned about the death of her mother. Throughout the first three chapters I didn’t play only as Dana Rose, but also as Kate Walker, the main protagonist of the rest of the Syberia series. Truly is a love letter for those who, such as myself, adore to see Kate into the wild.
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Locations are really charming, especially the outdoor areas, with authentic forests and mountains.
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Geometrically speaking, it honors the dates and takes special attention to automaton creations, with the fantastic mark of Benoît Sokal. How both timelines further connect, that’s for you to find out Syberia: The World Before is the best looking game ever made in Unity, showcasing a fantastic global lightning, reflections and shadows. The game does an excellent job playing with both Kate and Dana, and how they tangle together. There’s no such thing as time travel, but memories, those travels beyond any time barrier. Both timelines work together in a smart and engaging mechanic. One in 2005 with Kate, and one from the past with Dana Roze, in the mid 30’s. As already mentioned, with the mouse and keyboard we had some more difficulties, especially in the phase of pointing the movements. The user interface also seemed well made and quite comfortable, at least using a controller.
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Surely with the full version the overall difficulty of the puzzles will be evaluated, to understand the direction taken by the authors, but in general they did not seem evil, if contextualized to the type of gameplay chosen for the game. For example, in the abandoned train station you can discover the history of those trains, while walking around the Antiques Quarter we are asked to look at all the kiosks before going to talk to a certain character. Which are completely optional but encourage us to explore the environments more in depth. Also interesting is the presence of secondary objectives, designed to give the player more contextual information.
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For example, we had to activate a strange mechanical sphere, manipulating it in the same way as happens, for example, with the mechanical objects of the The Room puzzles. Compared to the demo, however, we have had the opportunity to taste more types. The puzzles we have had the opportunity to try have never stopped us and have always been contextualized to the story.
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In terms of gameplay, Syberia: The World Before is a highly narrative 3D graphic adventure, closer to the Telltale style than to that of the first two chapters of the series, so much so that it is played better with a controller than with a mouse and keyboard. Unfortunately, out of the two hours I got to experience so far, I only played as Dana for a short period of time, and while I didn’t get too much out of her story, it did help establish some world building especially for someone like me who is new to the series. The beginning of Syberia puts you in the shoes of Dana Roze, a young woman who is trying to build a career as a pianist returning to her home of Vaghen – a town facing tensions leading up to the Second World War. Allow yourself to be transported by the symphonic soundtrack composed by Inon Zur (Syberia 3, Fallout, Dragon Age, Prince of Persia). Discover a rich and captivating story with unprecedented stakes and gripping dialogue. Solve complicated puzzles and riddles in keeping with the tradition of the saga.
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